About that neckace.

I went out running this morning to catch the dawn... 

 

... and as I was running, I was thinking about the post I'd just put up at 6:23. (The photograph was taken at 6:45.) 

The post talked about a WaPo columnist who had pasted together a ramshackle argument that rested absurdly heavily on a couple things Trump's nominee for ambassador to Germany had said about how women look — that Hillary Clinton was "starting to look like Madeleine Albright" and that Rachel Maddow ought to "take a breath and put on a necklace." 

I was thinking while running about how it's important to be able to talk about the way people look. Life is — in great part — visual, and we're going to think about looks, we live within looking, and looks are not entirely superficial, they speak of depths, and even what is superficial is crucial to the feeling of being alive. We're not morally obligated to blind ourselves. We want to see and to talk about what we see. 

But what did it mean to say that Rachel Maddow ought to "take a breath and put on a necklace"? The man who said it was Richard Grenell, who is himself gay and therefore at least presumptively nonhomophobic. But the old tweet is deleted, so I can't search for the context. I only see it used against him. Example:

According to the pro-LGBTQ Washington Blade, Grenell’s history of insulting women on sexist and homophobic grounds is long and toxic. He has written that Rachel Maddow, an MSNBC lesbian news anchor, “needs to take a breath and put on a necklace.”

Did he mean women should all adopt a feminine fashion style? I don't know. I'd object to that, even though I think we should be able to talk about how people look. But you ought to let them choose how they want to present themselves, so don't criticize them for failing to do something they're not trying to do. If a woman is going for a boyish look, talk about whether it's a nicely done boyish look. You're a jerk to talk about how it's not feminine. 

If that's what Grenell meant by "put on a necklace." Maybe it had something to do with Maddow's high school yearbook photo....

That got press in 2010, and Grenell made his remark in 2011.

I was running along, thinking about looks and the importance of the visual world and, specifically, that necklace, and these lyrics came up in the song I was listening to: "I was thinkin’ about turquoise, I was thinkin’ about gold/I was thinkin’ about diamonds and the world’s biggest necklace."

What is the world's biggest necklace? Is it this?

There's a limit to how big a necklace can be, since it's not a necklace unless it can be worn around the neck. A colossal statue could have a neck and thus a necklace. You could get around the limitation that way. In Dylan's song — which I quote in part, above — he leaves his wife, who is named after an an Egyptian goddess, Isis. I'm picturing colossal Egyptian statues. In the song, Dylan meets up with "a man in the corner" and they go riding off until they come to the pyramids. 

Theoretically, the "world's biggest necklace" could be there, in the world's biggest tomb. In the song, the tomb is empty, and I take that to be a reference to the resurrection of Jesus Christ. In light of Jesus, the "world's biggest necklace" seems to relate to the parable of the pearl: "Again, the kingdom of heaven is like unto a merchant man, seeking goodly pearls: Who, when he had found one pearl of great price, went and sold all that he had, and bought it."

"Unlike many artists who reacted to the pandemic with a kind of dutiful tenderness—'Let me help with my song!'—Dylan has decided not to offer comfort, nor to hint at some vague solidarity."

"Lyrically, he’s either cracking weird jokes ('I’ll take the "Scarface" Pacino and the "Godfather" Brando / Mix ’em up in a tank and get a robot commando') or operating in a cold, disdainful, it-ain’t-me-babe mode.... Dylan is a voracious student of United States history—he can, and often does, itemize the various atrocities that have been committed in service to country—and 'Rough and Rowdy Ways' could be understood as a glib summation of America’s outlaw origins, and of the confused, dangerous, and often haphazard way that we preserve democracy. He seems to understand instinctively that American history is not a series of fixed points but an unmoored and constantly evolving idea that needs to be reëstablished each day—things don’t happen once and then stop happening. In this sense, linear time becomes an invention; every moment is this moment.... [F]or me, Dylan’s vast and intersectional understanding of the American mythos feels so plainly and uniquely relevant to the grimness and magnitude of these past few months. As the country attempts to metabolize the murder of George Floyd, it is also attempting to reckon with every crooked, brutal, odious, or unjust murder of a black person—to understand a cycle that began centuries ago and somehow continues apace. What is American racism? It’s everything, Dylan insists. Indiana Jones and J.F.K. and Elvis Presley and Jimmy Reed—nothing exists without the rest of it. None of us are absolved, and none of us are spared."

You can tell by the diaeresis in "reëstablished" that it's The New Yorker. Amanda Petrusich reviews Bob Dylan's new album, "Rough and Rowdy Ways," which will be released on Friday.

Petrusich sure is putting a lot of her own clunky words into Bob Dylan's mouth. She's insisting that he's insisting — insisting that everything is American racism. Why would you go and assume that what he's saying is what you're fired up to think everybody is supposed to be saying right now?

She did say "for me." You can listen to whatever you want any way you want.

"Do you think about mortality often?"/"I think about the death of the human race. The long strange trip of the naked ape."

"Not to be light on it, but everybody’s life is so transient. Every human being, no matter how strong or mighty, is frail when it comes to death. I think about it in general terms, not in a personal way.... There’s definitely a lot more anxiety and nervousness around now than there used to be. But that only applies to people of a certain age like me and you, Doug. We have a tendency to live in the past, but that’s only us. Youngsters don’t have that tendency. They have no past, so all they know is what they see and hear, and they’ll believe anything.... I like to think of the mind as spirit and the body as substance. How you integrate those two things, I have no idea. I just try to go on a straight line and stay on it, stay on the level."

From "Bob Dylan Has a Lot on His Mind." The question — "Do you think about mortality often?" — is from Douglas Brinkley and the rest of the quote above is Bob Dylan.

Bob Dylan has a new album, "Rough and Rowdy Ways," coming out on June 19th.

What does a bird symbolize?

Sunrise, captured at its predictable time — it was 5:19 — with the sudden appearance of a bird. Seeing it only now, as I process this morning's photographs, I wonder what does a bird symbolize?

The internet answers most simplistically: Freedom!

Which cues "Ballad in Plain D"...

Ah, my friends from the prison, they ask unto me
“How good, how good does it feel to be free?”
And I answer them most mysteriously
“Are birds free from the chains of the skyway?

ADDED: I have made a study of the birds of the Bible, and I have produced a list of 8 quotations, which I've ranked in the order that seemed right to me:

8. Matthew 8:20 — "Jesus replied, 'Foxes have dens and birds have nests, but the Son of Man has no place to lay his head.'"

7. Ezekiel 38:20 — "The fish in the sea, the birds in the sky, the beasts of the field, every creature that moves along the ground, and all the people on the face of the earth will tremble at my presence. The mountains will be overturned, the cliffs will crumble and every wall will fall to the ground."

6. Psalm 50:11 — "I know every bird in the mountains, and the insects in the fields are mine."

5. Ecclesiastes 9:12 — "Moreover, no one knows when their hour will come: As fish are caught in a cruel net, or birds are taken in a snare, so people are trapped by evil times that fall unexpectedly upon them."

4. Job 12:7-8 — "But ask the animals, and they will teach you, or the birds in the sky, and they will tell you; or speak to the earth, and it will teach you, or let the fish in the sea inform you."

3. Psalm 102:7  — "I am like a desert owl, like an owl among the ruins. I lie awake; I have become like a bird alone on a roof. All day long my enemies taunt me; those who rail against me use my name as a curse."

2. Matthew 6:26 — "Look at the birds of the air; they do not sow or reap or store away in barns, and yet your heavenly Father feeds them. Are you not much more valuable than they?"

1. Job 41:1-5 —"Can you pull in Leviathan with a fishhook or tie down its tongue with a rope? Can you put a cord through its nose or pierce its jaw with a hook? Will it keep begging you for mercy? Will it speak to you with gentle words? Will it make an agreement with you for you to take it as your slave for life? Can you make a pet of it like a bird or put it on a leash for the young women in your house?"

Not phrenology. Phenology.

Phrenology is the pseudo-science of studying bumps on the skull ("When the forehead is perfectly perpendicular, from the hair to the eyebrows, it denotes an utter deficiency of understanding").

Phenology is...

... the study of plant and animal activities and when they occur each year. Phenology is a real science that has many applications. In farming and gardening, phenology is used chiefly for planting times and pest control. Certain plants give a cue, by blooming or leafing out, that it's time for certain activities, such as sowing particular crops.... Indicator plants are often used to look for a particular pest and manage it in its most vulnerable stages. They can also be used to time the planting of vegetables, apply fertilizer, prune, and so on....

We were worried that we were going to have a freeze last night, and Meade said to look at the lilacs. They're an indicator plant. If they're opened up, then we would not get a frost. Those within earshot all thought — But how does the lilac know the future? I was going to the Arb, and I made sure to photograph the lilac:



It's indicating that there will be no freeze, and sure enough, there was no freeze. The lilac knew. There was a lack of lie in that indication.

Another thing about yesterday: It was the 50th anniversary of the release of The Beatles' "Let It Be." That includes "Dig a Pony," which has those lines: "You can celebrate anything you want... You can penetrate any place you go... You can radiate everything you are... You can imitate everyone you know... You can indicate everything you see... You can syndicate any boat you row..."

John Lennon wrote that song, which he called "a piece of garbage." Wikipedia says it has a "multitude of strange, seemingly nonsense phrases which were strung together in what Lennon refers to as a Bob Dylan style of lyric." I don't trust these putdowns. That's a way of speaking to the press (a Bob Dylan way by the way). But "Dig a Pony" — with all its "-ate" words — does feel like Bob's "analyze you, categorize you, finalize you, or advertise you...."

I'm willing to believe you can celebrate anything you want, penetrate any place you go, radiate everything you are, imitate everyone you know, and indicate everything you see.

Look! There's the lilac, telling the truth again.

I left out "syndicate any boat you row" because that's getting into metaphor. Genius lyrics tells me "syndicate" is a British way to say "incorporate," and, at the time, The Beatles were turning themselves into "Apple Corps."  To get back to phenology: "When apple trees shed their petals, sow corn."

ADDED: That link on "it was the 50th anniversary of the release of The Beatles' 'Let It Be,'" goes to my son John's post at Facebook. John states a preference for the song order in a later version of the album:

The joyously driving "Get Back" is moved from the end to the beginning (in contrast with the original album's first song, "Two of Us," which is beautiful but wasn't a particularly exciting way for a rock band to kick things off).

I said:

"Two of Us" is seared into my head as the way this thing begins. Nothing else feels right. But then, I always listened to side 2 of "Abbey Road" first, making it begin with "Here Comes the Sun." I like the quiet, hopeful beginnings. I guess the notion of "side 2" doesn't even make sense anymore, hasn't made sense for the last quarter century. And yet, I still have my 50 year old LPs.

I could do without John (Lennon) yelling at the beginning. "'I Dig A Pygmy' by Charles Hawtrey and the Deaf-Aids! Phase one, in which Doris gets her oats!" That was Phil Spector's choice, I'm reading. Is it racist? It's always felt ugly to me. But now I'm reading that "Deaf-Aid" is a Britishism for hearing aid, and that "Doris gets her oats" means Doris is getting regular sexual intercourse.

That "I Dig A Pygmy" business begins the album and goes right before "Two of Us." Only later in the album do we reach the song titled "Dig a Pony," which doesn't really have a pony in the lyrics. It's just John (Lennon) announcing "I Dig a Pony" before beginning the song. It's Phil Spector who is responsible for editing in these spoken-word bits.

ALSO: I edited this post to change the song title to "Dig a Pony." I'd had it as "I Dig a Pony," but now I'm seeing on Wikipedia that "Early American pressings of Let It Be mistitled this song as 'I Dig a Pony.'" I take issue with "mistitled." The album that was bought here in America the day it came out 50 years ago and that I've kept all these years has the correct title in my world.

In any case, the original Beatles title for the song was "All I Want Is You" (rhymes with Bob's "All I Really Want To Do" (quoted above)).

And Phil Spector is in prison.

"I'm the enemy of treason/Enemy of strife/Enemy of the unlived meaningless life/I ain't no false prophet/I just know what I know/I go where only the lonely can go."

More new Bob: