"Hunters in Wisconsin killed more than 200 wolves last week, far exceeding the state’s limit as they scrambled to take advantage of Trump-era wildlife rules..."

"... that they worry may be tightened by the Biden administration. At least 216 wolves were killed in less than 60 hours, exceeding the state quota of 119 and prompting Wisconsin to end what was meant to be a one-week hunt four days early.... Environmentalists... said the large number of wolves killed in such a short time underscored the need for President Biden to put the gray wolf back on the list of animals protected under the Endangered Species Act. 'These animals were killed using packs of dogs, snares and leg-hold traps,' Kitty Block, chief executive of the Humane Society of the United States, said on Tuesday. 'It was a race to kill these animals in the most cruel ways.'... The resurgence of wolves in certain parts of the country has been called a success story for conservationists. But as their numbers grew, ranchers have had to contend with wolves’ appetite for cattle and sheep. Conservationists counter that wolves keep deer, elk and other species in check and therefore help prevent more vegetation loss.... Hunter Nation said the large number of wolves hunted in such a short period of time showed that the population had 'significantly increased.' The group said that in 2014, it took two months for hunters to kill about 100 wolves. 'This season it took just three days!'... Richard M. Esenberg, a lawyer for Hunter Nation, said it was misleading for animal rights activists to claim that hunters had killed double the number of wolves allowed by the state. The state had set a quota of 200 wolves, with 119 for hunters who applied for permits with the department and 81 set aside to the Ojibwe Tribes under their treaty rights.... But the tribes consider wolves to be sacred and made a deliberate decision not to hunt them, said Dylan Jennings, a spokesman for the Great Lakes Indian Fish and Wildlife Commission, which represents the tribes. The tribes saw their allocation as a way to conserve a large number of the wolves — not to give hunters more animals to kill, he said."

From "Wisconsin Hunters Kill Over 200 Wolves in Less Than 3 Days/The gray wolf lost Endangered Species Act protections last year, prompting a recent hunt that killed at least 216 wolves — far exceeding a quota set by state wildlife officials" (NYT).

So many conflicting interests there. But obviously there are a lot of wolves, and presumably the endangered species category needs to be restricted to animals that are quite scarce, not animals that we love. Here you have an animal that is loved — even regarded as sacred. The hunters probably love the animal in a hunterly way. Some people hate or fear wolves, and some farmers and ranchers have anti-wolf economic interests. I have no idea what the solution is, but I think I'd recommend rationality over sentimentality. It may be rational to defer — to some extent — to the tribes' belief in the sacredness of the wolves and that corresponding reverence for wolves that lives in the hearts of some of the people.

"Republican legislative leaders lashed out Wednesday at Democratic Gov. Tony Evers after his staff secretly recorded a May 14 phone conversation..."

"... over how to respond to the coronavirus pandemic the day after the state Supreme Court struck down the state's stay-at-home order. The recording and the reaction to it all but ensures a permanently broken relationship between Evers and Republicans who control the Legislature.... Evers' spokeswoman, Melissa Baldauff, said... 'This was not intended for release to the media or anyone else, however, we were obligated to comply with the open records law to release these records once they were requested.'...  Bill Lueders, president of the Wisconsin Freedom of Information Council, said recording a conversation without alerting the other parties isn't illegal in this state, but is in bad form — and that the nature of the meeting should have pushed the three to talk publicly instead of privately.... Evers at one stage said he was frustrated the state wasn't able to open up in a uniform, phased way.... Fitzgerald repeatedly told Evers the reopening of the state's businesses was now behind them and urged him to develop plans for dealing with large crowds at Brewers games and the eventual resumption of schools. Evers asked Vos and Fitzgerald what they wanted to do if there was a catastrophic increase in cases, expressing frustration with their hands-off approach. 'Do we just say the hell with it?' Evers asked. 'No. Someone should call Barry Alvarez and say is there going to be football in Camp Randall in August,' Fitzgerald said, referring to the University of Wisconsin athletic director."

The Milwaukee Journal Sentinel reports. You can listen to the recordings at the link.

ADDED:

Someone is the admin must have tipped off the media to Evers’ Nixon tapes right? But why? He comes across as clueless while the Speaker sounds reasonable and Fitz is in command of the meeting. How does this help him?

— Eric Bott (@BottAFP) June 11, 2020

"I've already had some emails from people who think they've seen the Asian giant hornet in Wisconsin..."

"... but I'm convinced that they're seeing our own large wasps that live here, which are for the most part harmless... It's actually not highly likely that they'll ever be established in Wisconsin just based on where they live in Asia. They are not found in the kind of climate that you can find in Asia that's similar to Green Bay." Also: "They're really big hornets, OK, and they have a painful sting, but many, many more people die of honeybees in Japan and China and Asia than murder hornets."

WMTV quotes UW-Green Bay Nature Sciences Professor Michael Draney.

Has Sculpture Become Just Another Pretty Face?

BERLIN — Sometimes on a whim I stop into the Bode Museum here to commune with a tiny clay sculpture of John the Baptist.
It’s in a corner of a nearly always empty room, a bone-white bust, pretty and as androgynous as mid-1970s Berlin-addled David Bowie. The saint’s upturned eyes glow in the hard light through tall windows. Attributed to the 15th-century Luccan artist Matteo Civitali, the sculpture is all exquisite ecstasy and languor.
Sometimes it’s not the saint I check on but a sculptured portrait in the same room of the banker Filippo Strozzi — stern like a Roman emperor, the face of rectitude and power — by Benedetto da Maiano, Civitali’s contemporary. Then I usually climb the stairs to admire Houdon’s bust of Gluck, the composer, and ogle a towering pair of craggy German knights, relics of Renaissance pageantry made of painted wood, each taller than the N.B.A. star Dirk Nowitzki.
Mostly, though, I go to the Bode for the silence.

Like a sentry commanding the northern tip of Berlin’s Museum Island, its back turned to the busier Pergamon Museum, the Neues Museum, the Altes Museum and the Alte Nationalgalerie, the Bode seems to attract just a few handfuls of visitors a day. Some go there to see the paintings, coins and Byzantine art. The sculpture rooms are mostly abandoned.

Is it me, or do we seem to have a problem with sculpture today? I don’t mean contemporary sculpture, whose fashionable stars (see Koons, Murakami et alia) pander to our appetite for spectacle and whatever’s new. I don’t mean ancient or even non-Western sculpture, either. I mean traditional European sculpture — celebrities like Bernini and Rodin aside — and American sculpture, too: the enormous universe of stuff we come across in churches and parks, at memorials and in museums like the Bode. The stuff Barnett Newman, the Abstract Expressionist painter, notoriously derided as objects we bump into when backing up to look at a painting.

A few minutes’ walk from the Bode, the Friedrichswerdersche Kirche, the rebuilt neo-Gothic former church designed by Karl Friedrich Schinkel in the 1830s, houses its own sublime assortment of 19th-century sculpture. It’s usually even emptier than the Bode, and it is free to boot. I’ll occasionally spend an hour or so there, feeling small and unimportant before the portraits of Kant and the great German archaeologist Johann Winckelmann. Except for the doleful guards, I rarely encounter another living soul.

I grew up with the smells of plaster dust and clay in my mother’s sculpture studio on Third Avenue. Making a figure out of stone or metal retains its childlike wonder for me. But sculpture skeptics from Leonardo through Hegel and Diderot have cultivated our prejudice against the medium. “Carib art,” is how Baudelaire described sculpture, meaning that even the suavest, most sophisticated works of unearthly virtuosity by Enlightenment paragons like Canova and Thorvaldsen were tainted by the medium’s primitive, cultish origins.

Racism notwithstanding, Baudelaire had a point. Sculpture does still bear something of the burden of its commemorative and didactic origins. It’s too literal, too direct, too steeped in religious ceremony and too complex for a historically amnesiac culture. We prefer the multicolored distractions of illusionism on flat surfaces, flickering in a movie theater or digitized on our laptops and smartphones, or painted on canvas. The marketplace ratifies our myopia, making headlines for megamillion-dollar sales of old master and Impressionist pictures but rarely for premodern sculptures.

Critics bow to fashion and a legacy of lazy disdain, largely avoiding the topic — I’ve done it myself, so I know — and museums only perpetuate the cycle, offering a steady flow of Botticelli, Monet and Rembrandt exhibitions, before which we genuflect like medieval pilgrims praying before sculptured shrines. But sculpture shows that might broaden our horizons, being costly and difficult to mount, are almost rarer than genuine newly discovered Michelangelos.

In an age of special effects, we may also simply no longer know how to feel awe at the sight of sculptured faces by the German genius Tilman Riemenschneider or before a bronze statue by Donatello. We can’t see past the raw materiality and subject matter. Never mind that Donatello may have been the greatest creative genius until Picasso; he long ago got lapped in the public’s imagination by Madame Tussaud, who has given way to “Avatar” in 3-D and Alexander McQueen’s trippy costumed mannequins.

I read the other day that the Metropolitan Museum had decided to stay open late to accommodate the bewildering crowds for its McQueen extravaganza. Mass hysteria is how a friend described it to me. It clearly became the height of fashion for people to stand in the endless line, if only to have been able to say that they stood in the endless line. How many of those people, I asked myself, stopped to look at any of the Met’s sculptures while they were there, or ever had?
How wonderful, I also thought.

I have the Bode to myself.