Showing posts with label cartoons. Show all posts
Showing posts with label cartoons. Show all posts

Monday, March 8, 2021

"Pepe [Le Pew] was set to appear in a black-and-white Casablanca-like Rick’s Cafe sequence. Pepe, playing a bartender, starts hitting on a woman at the bar..."

"He begins kissing her arm, which she pulls back, then slamming Pepe into the chair next to hers. She then pours her drink on Pepe, and slaps him hard, sending him spinning in a stool, which is then stopped by LeBron James’ hand. James and Bugs Bunny are looking for Lola, and Pepe knows her whereabouts. Pepe then tells the guys that Penelope cat has filed a restraining order against him. James makes a remark in the script that Pepe can’t grab other Tunes without their consent...." 

From "Pepe Le Pew Won’t Be Appearing In Warner Bros’ ‘Space Jam’ Sequel" (Deadline Hollywood). 

The actress, Greice Santo, is unhappy to have her big scene cut: "Even though Pepe is a cartoon character, if anyone was going to slap a sexual harasser like him, Greice wished it would be her. Now... she doesn’t have that power to influence the world through younger generations who’ll be watching Space Jam 2, to let younger girls and younger boys know that Pepe’s behavior is unacceptable."

If I remember the old cartoons correctly, the other cartoon characters always let Pepe know his behavior was unacceptable... though I think that was mainly because they were cats and he was a skunk.

I don't know if that read as racism — Was the problem that he was a different species? —  or were we to think their objection was simply that he smelled bad — which really was, I think, an insult intentionally directed at the French.  

As for this new movie, maybe instruction about sexual harassment didn't fit the mood of whatever the story was or maybe LeBron James doesn't have the acting chops to pull off a sincere warning against sexual misdeeds.

From the Wikipedia article on Pepe Le Pew, under the subheading "Reputation":

Pepé's reputation suffered in later years. Comedian Dave Chappelle, in his 2000 stand-up film Killin' Them Softly, called him a rapist. In a 2021 column in The New York Times, Charles M. Blow wrote that Pepé "normalized rape culture". Amber E. George, in her essay "Pride or Prejudice? Exploring Issues of Queerness, Speciesism, and Disability in Warner Bros. Looney Tunes", characterized Pepé's actions towards Penelope Pussycat as "sexual harassment, stalking, and abuse" and noted that Pepé's qualities mock the French people and their culture. On March 7, 2021, it was announced Pepé Le Pew have been removed from Space Jam: A New Legacy.

If you're interested in reading that Amber E. George essay, it's in "The Intersectionality of Critical Animal, Disability, and Environmental Studies: Toward Eco-ability, Justice, and Liberation." That will cost you $73 even just to download it in Kindle!

As for Charles Blow, the Le Pew bit is just a line in his column about the Dr. Seuss problem: "Six Seuss Books Bore a Bias/Racism must be exorcised from culture, including, or maybe especially, from children’s culture."

Racism must be exorcised from culture, including, or maybe especially, from children’s culture. Teaching a child to hate or be ashamed of themselves is a sin against their innocence and a weight against their possibilities.
Exorcised?! I think the word he was looking for the word "excised." Or are we possessed by an evil spirit that can be driven out by performing some ritual? If you're talking about editing things out of the culture — which is what is really going on — the word is"excised."

Friday, March 13, 2020

"When I happen upon almost any image from one of the 'Simpsons' Instagram [accounts that post single frames from the show], I am struck by how absolutely visually gorgeous it is."

"This is, perhaps, especially true when it comes to @scenic_simpsons, with its visions of a violet car, its headlights on, cruising in a darkened parking lot full of silent vehicles; or an abstract thicket of trees, their tops as dense and foreboding as storm clouds; or a digital clock on a bedside table, its face glowing 7:59, next to an orange phone. Though they come to us via our hubbub-filled Instagram feeds, these stand-alone pictures are as quietly stunning as any made by our greatest American artists of alienation and loneliness, from Edward Hopper to Arthur Dove."

From "The Aesthetic Splendor of 'The Simpsons'" by Naomi Fry (in The New Yorker).

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