"I originally saw this story somewhere other than WaPo that had pictures of the pastor, unlike WaPo, which just shows this skinny cross."

"The pastor is himself quite chubby. I guess WaPo chose to focus us on the serious sexism rather than the comedy."  

I wrote, over at Facebook, where my son John posted the WaPo article "Pastor says women may not be ‘epic trophy wife’ but should be thin for their husbands. He’s now on leave." 

WaPo illustrates its piece with a stock photo of a steepletop cross. 

The article I'd seen was in The Daily Mail: "Missouri pastor goes on leave after sexist sermon in which he told women to 'lose weight' and look less 'butch' as he hailed Melania Trump as 'the epic trophy wife.'"

You can listen to 22 minutes of the sermon here. 

The top-rated comments at The Daily Mail are about the pastor's own weight problem, so I can see why WaPo chose to exclude this part of the story. It's the Era of That's Not Funny. Don't be laughing. 

And by the way, the pastor was straining to be funny. Example:

“Praise God for makeup,” he said. “It’s like Bondo for dented vehicles. And it’s like crack filler for your drywall.”

Imagine going all the way to church and sitting there listening to that. I'd be thinking, man, I could watch any random stand-up special on Netflix. 

WaPo quotes an American studies professor, Kari J. Winter:

"Women are pressured from the time we’re born to believe that if we support patriarchal power, we’re going to be rewarded... The really toxic dynamic is it’s not so much which model of womanhood but that men in power have the right to define what a woman should look like and reduce her to her appearance.... Melania models that."

"Did people stop saying 'fragility' in the past year? I feel like I used to see it on almost a daily basis..."

"... but I can’t remember seeing it for a while now. (And I deliberately say 'see' it instead of 'hear' it because I’ve only ever seen it written, never heard it out loud.) Could it be that the word started to seem out of touch because we’ve been realizing how fragile we all are?" 

Writes my son John on Facebook, and I think he's suggesting something about our heightened awareness of death and illness during the pandemic. 

I responded over there:

Based on my search for "white fragility" in the NYT, with the results ordered newest first, I'd say it was very common up through October. Since October, there's only one appearance, in a little thing in December about what books New Yorkers read in the past year: "As nationwide discussions erupted over the summer around race and racism, demand for books on the subjects surged across the country, a trend reflected in the city’s libraries. Titles like 'White Fragility: Why It’s So Hard for White People to Talk About Racism' by Robin DiAngelo were among the most popular in some boroughs." What changed after October? To ask the question is to make the answer obvious.

Before that December item, there were articles containing the term "white fragility" on October 29, October 22, October 6, September 27, September 17, September 6, September 1, August 31, August 11... You get the picture. 

But "fragility" was a vogue word before last year's obsession with Robin DiAngelo's book. Even if the election — the answer I thought was obvious — explains the disappearance of "white fragility," we might also be seeing a disappearance of interest in "fragility" as used in the book "Antifragile" by Nassim Nicholas Taleb. If so, I'm inclined to guess that the over-prominence of DiAngelo's concept tired us all out. 

And that's the irony of being fragile about fragility that John was musing about.

"Is support for free speech correlated with intelligence?/3 studies on that question all point to the answer: yes!"

My son John blogs.

Not phrenology. Phenology.

Phrenology is the pseudo-science of studying bumps on the skull ("When the forehead is perfectly perpendicular, from the hair to the eyebrows, it denotes an utter deficiency of understanding").

Phenology is...

... the study of plant and animal activities and when they occur each year. Phenology is a real science that has many applications. In farming and gardening, phenology is used chiefly for planting times and pest control. Certain plants give a cue, by blooming or leafing out, that it's time for certain activities, such as sowing particular crops.... Indicator plants are often used to look for a particular pest and manage it in its most vulnerable stages. They can also be used to time the planting of vegetables, apply fertilizer, prune, and so on....

We were worried that we were going to have a freeze last night, and Meade said to look at the lilacs. They're an indicator plant. If they're opened up, then we would not get a frost. Those within earshot all thought — But how does the lilac know the future? I was going to the Arb, and I made sure to photograph the lilac:



It's indicating that there will be no freeze, and sure enough, there was no freeze. The lilac knew. There was a lack of lie in that indication.

Another thing about yesterday: It was the 50th anniversary of the release of The Beatles' "Let It Be." That includes "Dig a Pony," which has those lines: "You can celebrate anything you want... You can penetrate any place you go... You can radiate everything you are... You can imitate everyone you know... You can indicate everything you see... You can syndicate any boat you row..."

John Lennon wrote that song, which he called "a piece of garbage." Wikipedia says it has a "multitude of strange, seemingly nonsense phrases which were strung together in what Lennon refers to as a Bob Dylan style of lyric." I don't trust these putdowns. That's a way of speaking to the press (a Bob Dylan way by the way). But "Dig a Pony" — with all its "-ate" words — does feel like Bob's "analyze you, categorize you, finalize you, or advertise you...."

I'm willing to believe you can celebrate anything you want, penetrate any place you go, radiate everything you are, imitate everyone you know, and indicate everything you see.

Look! There's the lilac, telling the truth again.

I left out "syndicate any boat you row" because that's getting into metaphor. Genius lyrics tells me "syndicate" is a British way to say "incorporate," and, at the time, The Beatles were turning themselves into "Apple Corps."  To get back to phenology: "When apple trees shed their petals, sow corn."

ADDED: That link on "it was the 50th anniversary of the release of The Beatles' 'Let It Be,'" goes to my son John's post at Facebook. John states a preference for the song order in a later version of the album:

The joyously driving "Get Back" is moved from the end to the beginning (in contrast with the original album's first song, "Two of Us," which is beautiful but wasn't a particularly exciting way for a rock band to kick things off).

I said:

"Two of Us" is seared into my head as the way this thing begins. Nothing else feels right. But then, I always listened to side 2 of "Abbey Road" first, making it begin with "Here Comes the Sun." I like the quiet, hopeful beginnings. I guess the notion of "side 2" doesn't even make sense anymore, hasn't made sense for the last quarter century. And yet, I still have my 50 year old LPs.

I could do without John (Lennon) yelling at the beginning. "'I Dig A Pygmy' by Charles Hawtrey and the Deaf-Aids! Phase one, in which Doris gets her oats!" That was Phil Spector's choice, I'm reading. Is it racist? It's always felt ugly to me. But now I'm reading that "Deaf-Aid" is a Britishism for hearing aid, and that "Doris gets her oats" means Doris is getting regular sexual intercourse.

That "I Dig A Pygmy" business begins the album and goes right before "Two of Us." Only later in the album do we reach the song titled "Dig a Pony," which doesn't really have a pony in the lyrics. It's just John (Lennon) announcing "I Dig a Pony" before beginning the song. It's Phil Spector who is responsible for editing in these spoken-word bits.

ALSO: I edited this post to change the song title to "Dig a Pony." I'd had it as "I Dig a Pony," but now I'm seeing on Wikipedia that "Early American pressings of Let It Be mistitled this song as 'I Dig a Pony.'" I take issue with "mistitled." The album that was bought here in America the day it came out 50 years ago and that I've kept all these years has the correct title in my world.

In any case, the original Beatles title for the song was "All I Want Is You" (rhymes with Bob's "All I Really Want To Do" (quoted above)).

And Phil Spector is in prison.

"Density alone doesn’t seem to account for the scale of the differential between New York’s fatality rates and those of other cities."

"New York has twice the density of London but three times the deaths, and the differential is even higher [comparing NYC to] cities such as San Francisco and Los Angeles. Deaths have occurred disproportionately in poorer areas, where the incidence of long untreated morbidities such as heart disease and diabetes have contributed significantly. But the same is true in all other cities. The high dependence on mass transit also seems to be a factor. In other major cities, car commutes are much more common. As Joel Kotkin, a scholar of cities at Chapman University in California, says, it may be the lethal convergence of all three factors. 'If you put together density, levels of poverty and reliance on a mass-transit system, you have a hat trick,' he told me.… But even that may not explain the extent of New York’s unique catastrophe. Around the world, the highest death rates have occurred where hospital systems were overwhelmed in the early stages of the crisis. This is especially true in northern Italy. Anecdotally, at least, it seems that the same happened in New York: Large numbers of sick people never got to hospitals, arrived too late or, in the impossible circumstances that medical personnel were confronted with, were given ineffective treatment.… It will be a while before we get a proper understanding of what went so tragically wrong...."

From "The Covid-19 Catastrophe Unfolding in New York Is Unique" (Wall Street Journal), quoted at my son John's Facebook page.

John writes:

I'm not sure this is a logical argument:

"Density alone doesn’t seem to account for the scale of the differential between New York’s fatality rates and those of other cities. New York has twice the density of London but three times the deaths, and the differential is even higher for cities such as San Francisco and Los Angeles."

Doesn't that assume there's a linear relationship between density and infection rates, and isn't that not necessarily the case?

My question is about the comparison of New York to northern Italy, where hospitals were overrun. Were NY hospitals overrun? I thought they weren't.  I think the 3 factors named — density, reliance on mass-transit, and the bad health conditions represented by the term "poverty" — are enough to explain what happened. These things are interactive. Shouldn't we talk about Bayes theorem?

"How could the president's address to the nation include so many false statements about the issue that's been gripping the country and the world?"

My son John asks (on his blog).