Showing posts with label logos. Show all posts
Showing posts with label logos. Show all posts

Wednesday, March 3, 2021

Now who's saying the Nazi imagery was unintentional?

I'm reading "CPAC’s ‘Nazi Rune’ Stage Designed By A Liberal Company Which Has Worked For Biden, MSNBC"(National Pulse): 

The company – Design Foundry – told Forward it “had no idea that the design resembled any symbol, nor was there any intention to create something that did.”... The statement comes days after mainstream media outlets and left-wing Twitter activists slammed the conference for intentionally designing a stage to depict a Nazi rune, as outlets ran stories like “Nod or blunder? No CPAC 2021 apology for a stage shaped like a white supremacist symbol” and “CPAC veers into neo-Nazi fantasy: Was it deliberate? That hardly matters.”

That last one, saying the deliberateness "hardly matters," was in Salon, here.  Does it still hardly matter when you could accuse this design firm of branding CPAC as Nazis?

Sunday, May 3, 2020

"My father had been interested in art since boyhood, when he drew images related to his Ojibwe culture."

"After leaving Pipestone boarding school in Minnesota in 1942, he joined the Navy and was assigned to San Diego, where he worked alongside animation artists from MGM and Walt Disney producing brochures and films for the war effort. In 1946, he established himself as one of the first modernists in American Indian fine art. After I was born in 1946, my family moved from Red Lake, Minn., to Minneapolis, where my father broke racial barriers by establishing himself as an American Indian commercial artist in an art world dominated by white executives and artists.... By often working with Native American imagery, he maintained a connection to his identity.... With the redesign [of the Land o' Lakes butter packaging], my father made Mia’s Native American connections more specific. He changed the beadwork designs on her dress by adding floral motifs that are common in Ojibwe art. He added two points of wooded shoreline to the lake that had often been depicted in the image’s background. It was a place any Red Lake tribal citizen would recognize as the Narrows, where Lower Red Lake and Upper Red Lake meet.... Mia simply didn’t fit the parameters of a stereotype...."

From "My Native American father drew the Land O’Lakes maiden. She was never a stereotype" (WaPo).

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