Waves of Mercy and Grace

Waves of Mercy and Grace, by Carol L. Douglas. Those darn rocks are standing out like their own planet. Need a little refinement.

Yesterday was a perfect day—warm and bright. At noon, I took a break and walked with my posse. First time in weeks we’ve all walked together, because the weather has been atrocious.

The sky was a lovely cornflower blue. Of course even a perfectly clear sky isn’t uniformly blue. Today it was most intense over Jennifer’s house, edging to a softer blue to the south. The horizon softened to a pale tone. It was the perfect sky for my painting.

Three colors for the sky.

I generally mix three different colors for any object: light, medium and dark. A simple blue sky is no exception to that rule.

Detail from Waves of Mercy and Grace. Cute kids.

I set out intending to paint the Maine coast, but it turns out it’s a painting of Australia. The three little boys in this painting are my cousin’s kids, with whom I spent a magical day climbing on rocks. The sea is the color of the Indian Ocean, not the North Atlantic. Painting it gave me a mighty hankering to go back there.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

A great week to be from Buffalo

Joseph the Carpenter, by Georges de la Tour, c. 1645, is painted in the style called tenebrism, using exaggerated chiaroscuro with violent contrast, where darkness becomes a dominating feature. Despite that, it’s a sweet father-and-son image. Note the prefiguration of the cross in the auger.

Today is a wonderful convergence of two ethnic celebrations—St. Patrick’s Day (yesterday) and St. Joseph’s Day (tomorrow). In my home town of Buffalo, NY, both are big deals.

In the Spanish and Italian Old World, St. Joseph’s Day is also Father’s Day, a tradition that ties neatly with St. Joseph’s primary role as adoptive father of the Christ child.

Saint Joseph, Jusepe de Ribera, c. 1635, is also a tenebrist painting, but the effect is radically different from de la Tour.

The elements of an Italian-American St. Joseph’s Table vary depending on the family, but they are always meatless since the holiday falls during Lent. Where I’m from, Italians include lentil soup, pasta con sarde with mollica, olives, fennel, oranges, baccalà, vegetables (including cardoons), frittatas, and of course a gazillion cookies and breads. How did St. Patrick’s Day, with its corned beef and cabbage, soda bread and green beer, end up overwhelming the far greater gustatory appeal of St. Joseph’s Day?

Oh, well. St. Joseph dominates in the world of art. I don’t believe there’s a single great painting of St. Patrick out there. William Holman Hunt’s A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids will have to stand in.

A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids, by William Holman Hunt, 1850. As a pre-Raphaelite, he rejected chiaroscuro, but the end result doesn't look much like 15th century Italian painting.

A reminder: this is a great week to have your Vitamin D levels checked. They’re always at their lowest at the end of a long winter.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

The world’s longest winter

Happy times in my Saturday class.

We’re really plein air painters in my studio, and by late March we are fidgeting and whining to go outdoors. This morning it’s 4° F. out there, however, which is how the whole winter has gone. We’re inside and we still must paint. So what do we do? Fish among common household objects, of course, to create still-lives that both challenge and entertain.

Brad painting gift bags.

Nina's second painting! Whoo hoo!

Nathan and Jingwae are prepping for college, so a reflective glass arrangement suited them. (Carol T. opted for that, too.) Brad and Sandy decided to paint luminescent gift bags. And Nina—just starting her second painting—did a still life of apples in a Chinese antique scoop.

Sandy painting gift bags.

 We’ll be having a student show opening June 1 at VB Brewery in Victor. Mother Nature may be keeping us indoors, but we still must paint.

Nathan painting reflective glassware.

Jingwae painting reflective glassware.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

Secret superpower

The harvest is plentiful, but the laborers are few, by Carol L Douglas. Still in draft form, I'm afraid.

I generally feel about clouds the way Winslow Homer felt about rocks: they’re easy to paint. So I wasn’t expecting to be tripped up by this painting. But when I finished my first iteration, I realized it was too monochromatically grey.

I mixed three different greys and went at it with both hands. Most of us Lefties have a secret superpower—we’re more or less ambidextrous. I can write and paint with either hand, although my right one tires more quickly.

Added greys. I think it actually looked better here than when "finished."

I don’t usually paint two-handed, because I only have one brain. In certain situations, such as when laying down large masses or alternately painting and blending, it’s a useful skill.

Two-fisted painter.

Unfortunately, I fixed the chroma problem but seem to have lost the original organization. I’ll go back in with some darks when this has a chance to set up, but for now I am moving on to my next painting. I have to hang this show a week from tomorrow.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

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Who knows the places you'll go?

Bo Light, by Matt Menzies, 2014; photo Rob Chron Photography.

Those of you who’ve been around my studio for a while probably remember Matthew Menzies, who is now a junior at Rhode Island School of Design (RISD). He recently built what he calls a “Bo light.” This is modeled after a very long staff, or bō, used in Japanese martial arts.

The prototype consists of a battery powered Led strip inset into a turned, tapered stick.

When Matt was in high school, he was an avid painter. He’s also a serious student of the martial arts. That makes this light, in his hands, a pretty awesome paintbrush.  

Bo Light, by Matt Menzies, 2014; photo Rob Chron Photography.

In art, more so than in any other discipline, nothing in your background is wasted. Everything you’ve done informs your present, but very little of it predicts where you’ll end up.

Bo Light, by Matt Menzies, 2014; photo Rob Chron Photography.

Matt started as a painter and is now a furniture-design major. Who knows what he’ll do for a career? The painter Eric Hopkins started as a glass artist, working for six years as an assistant to Dale Chihuly. What I’ve seen of his glass work is lovely, but so also is the painting for which he ultimately became well known.

By the way, Matt accepts commissions.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

All Flesh is as Grass

All Flesh is as Grass, 36X48, oil on canvas, by little ol' me.

My studio is in my house, so when Winter Storm Vulcan brought blizzard conditions to Rochester yesterday, it didn’t give me day off. Oh, well; I was painting snow anyway.

This apple tree was around the corner from my house. The landowner once told me to pick all the apples I wanted. He’s been gone for several years and his house has stood vacant, but still the old tree thrived.

This year, we picked an eight-quart basket for Thanksgiving pies. Shortly thereafter, a construction crew moved in to start a roof-to-foundation rehab. The first thing to go was the dated landscaping, including this old tree.

There are some things I may tweak, but I’m moving on to finish my fourth painting for my upcoming show at Roberts Wesleyan’s Davison Gallery. It opens Friday, March 28, from 6-9 PM.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!